Wednesday, April 1, 2009

The Time is Now

There are two artists who I would use to define the times we are in right now here in 2009. The first being a filmmaker who I admire greatly and think as one of the most influential living filmmakers; Mr. Martin Scorsese. When I see his films I can really connect to them and I get the feeling that he really knows what the audience wants and what they’re interested in. He has a formula, knows it works, and uses it to his advantage. He has created such classics as Taxi Driver, Raging Bull, Casino, Goodfellas, and The Departed. He continues to take risks and excite and capture his audience in new and innovative ways. His risks for the most part are rewarded and show young; rising filmmakers such as myself that doing what you want and believing in yourself can get your movie picked up. I feel that Mr. Scorsese also goes above and beyond being a filmmaker. He is very in touch with his American-Italian roots and shows that influence in some of his films as well as outside the film industry.

Another artist that I feel captures what I would call modern is none other than Marcel Duchamp. I remember learning about him in class and the Mona Lisa with the Mustache made me literally fall out of my chair laughing. He was able to take something that people regard so highly, have fun with it, and still have people love it. He took a huge risk because he could have been shunned out of the art world instead. He also took a urinal, signed it, and called it “Fountain”. Duchamp fascinates me because he challenged the rules set before him as to what “art” is. I feel like many artists are trying to do that same thing now and I feel Duchamp was extremely successful. He was experimental, daring, and didn’t care much for convention in art or anything really. He was a driving force in surrealism in France and influenced multiple artists in the future.

Both of these artists take risks and delve into what many others were to cautious or uncaring to try. One is a filmmaker who constantly comes up with new material and new ways to stun audiences that have seen his work before. I think the only way someone could describe one of his films as being "Classic Scorcese" would be because of how crazy and cutting edge they always are. Not because they are similar. Duchamp also took chances and pushed the edges of convention. He had no patiance for rules and worrying about what art should be, he just created.

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